Elizabeth Fullerton
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Elizabeth Fullerton
Art writer

Articles

I have been writing professionally for more than 20 years and passionate about art all my life.

My interest in art spans performance, video, painting, sculpture, sound to the undefinable. Issues of sex, gender, race, the colonial legacy and the climate emergency are a particular focus. I write across a wide range of topics for a variety of publications including The Guardian, The New York Times, Art Monthly, ARTnews and many more. Below is a selected archive of my articles with links to the full texts.

Please click on headlines to see the full articles (these will open in a new browser window).

 
Lawrence Weiner: The Poetic Language of Sculpture
Lawrence Weiner: The Poetic Language of Sculpture
Elizabeth FullertonJune 1, 2021Art Quarterly
Review: Oren Pinhassi - Edel Assanti, London
Review: Oren Pinhassi - Edel Assanti, London
Elizabeth FullertonMay 1, 2021SCULPTURE MAGAZINE
Profile: Frank Bowling’s New Paintings Are Family Affairs
Profile: Frank Bowling’s New Paintings Are Family Affairs
Elizabeth FullertonApril 30, 2021New York Times
Profile-Meet the Collectors: Pamela Joyner
Profile-Meet the Collectors: Pamela Joyner
Elizabeth FullertonMarch 1, 2021Art Quarterly
OPINION-Offending Statues and the Dilemma of Commemoration
OPINION-Offending Statues and the Dilemma of Commemoration
Elizabeth FullertonJanuary 22, 2021SCULPTURE MAGAZINE
Profile: Meet the Collectors: Ina Sarikhani
Profile: Meet the Collectors: Ina Sarikhani
Elizabeth FullertonDecember 1, 2020Art Quarterly
Review: Haegue Yang: Strange Attractors, Tate St Ives
Review: Haegue Yang: Strange Attractors, Tate St Ives
Elizabeth FullertonDecember 1, 2020Art Quarterly
Conversation with Frances Richardson: About the Search
Conversation with Frances Richardson: About the Search
Elizabeth FullertonNovember 1, 2020SCULPTURE MAGAZINE
Video Interview: Christina Quarles: ‘These works hold onto that slow-fast contrast of a physically still world and this mental chaos’
Video Interview: Christina Quarles: ‘These works hold onto that slow-fast contrast of a physically still world and this mental chaos’
Elizabeth FullertonOctober 23, 2020Studio International
Profile: Phyllida Barlow: Space Wars
Profile: Phyllida Barlow: Space Wars
Elizabeth FullertonOctober 15, 2020Elephant
Review: Renee So: Ancient and Modern, De La Warr Pavilion, UK
Review: Renee So: Ancient and Modern, De La Warr Pavilion, UK
Elizabeth FullertonSeptember 1, 2020
Interview: Mindful Vandalism, A Conversation with Hew Locke
Interview: Mindful Vandalism, A Conversation with Hew Locke
Elizabeth FullertonSeptember 1, 2020
Book Review: Bridging the Nature/Culture Divide
Book Review: Bridging the Nature/Culture Divide
Elizabeth FullertonAugust 25, 2020Sculpture
Profile: Lindsay Seers: Transformative Voices
Profile: Lindsay Seers: Transformative Voices
Elizabeth FullertonJuly 13, 2020Elephant
Essay: Tremenheere Sculpture Gardens: Collaborating with Nature
Essay: Tremenheere Sculpture Gardens: Collaborating with Nature
Elizabeth FullertonJuly 2, 2020SCULPTURE MAGAZINE
Review: Kara Walker at Tate Turbine Hall
Review: Kara Walker at Tate Turbine Hall
Elizabeth FullertonJuly 1, 2020SCULPTURE MAGAZINE
Interview: Lonnie Holley - ‘I started with a knife, fork and a spoon on sandstone’
Interview: Lonnie Holley - ‘I started with a knife, fork and a spoon on sandstone’
Elizabeth FullertonJune 1, 2020Studio International
Conversation: Katie Paterson - Fleeting Little Thoughts
Conversation: Katie Paterson - Fleeting Little Thoughts
Elizabeth FullertonApril 21, 2020Sculpture
Feature: Tate Has Declared a Climate Emergency. What Are the Benefits—and Costs—of Sustainability?
Feature: Tate Has Declared a Climate Emergency. What Are the Benefits—and Costs—of Sustainability?
Elizabeth FullertonMarch 9, 2020ArtNews
Review: Francesca DiMattio - Pippy Houldsworth, London
Review: Francesca DiMattio - Pippy Houldsworth, London
Elizabeth FullertonMarch 1, 2020SCULPTURE MAGAZINE
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