Elizabeth Fullerton
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Elizabeth Fullerton
Art writer

Articles

I have been writing professionally for more than 20 years and passionate about art all my life.

My interest in art spans performance, video, painting, sculpture, sound to the undefinable. Issues of sex, gender, race, the colonial legacy and the climate emergency are a particular focus. I write across a wide range of topics for a variety of publications including The Guardian, The New York Times, Art Monthly, ARTnews and many more. Below is a selected archive of my articles with links to the full texts.

Please click on headlines to see the full articles (these will open in a new browser window).

 
Interview: Berlinde de Bruyckere: Suffering and Desire
Interview: Berlinde de Bruyckere: Suffering and Desire
Elizabeth FullertonMarch 1, 2020SCULPTURE MAGAZINE
Review: Vivian Suter's Painting-based Installations Register the Volatility of Nature
Review: Vivian Suter's Painting-based Installations Register the Volatility of Nature
Elizabeth FullertonFebruary 25, 2020Art in America
Interview: Tony Lewis: I wear a Tyvek suit, ventilation mask and gloves to go to studio
Interview: Tony Lewis: I wear a Tyvek suit, ventilation mask and gloves to go to studio
Elizabeth FullertonFebruary 5, 2020
Video Interview: Denzil Forrester: I needed that dark space to bring out that energy
Video Interview: Denzil Forrester: I needed that dark space to bring out that energy
Elizabeth FullertonFebruary 2, 2020
Review: Is Valie Export’s 1980 Venice Biennale Installation Still Radical Today?
Review: Is Valie Export’s 1980 Venice Biennale Installation Still Radical Today?
Elizabeth FullertonJanuary 22, 2020Art in America
Interview: Meryl McMaster: I explore questions around self and belonging to two heritages
Interview: Meryl McMaster: I explore questions around self and belonging to two heritages
Elizabeth FullertonDecember 9, 2019Studio International
Review: Cerith Wyn Evans - Hangar Bicocca, Milan
Review: Cerith Wyn Evans - Hangar Bicocca, Milan
Elizabeth FullertonDecember 4, 2019
Feature: Who's Afraid of the Great Outdoors?
Feature: Who's Afraid of the Great Outdoors?
Elizabeth FullertonDecember 3, 2019
Preview: Steve McQueen at Tate Britain
Preview: Steve McQueen at Tate Britain
Elizabeth FullertonDecember 1, 2019Art Quarterly
Profile: Florence Peake - Stuck in the Mud
Profile: Florence Peake - Stuck in the Mud
Elizabeth FullertonDecember 1, 2019Elephant
Review: Painter Michael Simpson Renders Cruelties of Religion Using Strictures of Minimalism
Review: Painter Michael Simpson Renders Cruelties of Religion Using Strictures of Minimalism
Elizabeth FullertonNovember 11, 2019Art in America
Review: Olga Jevrić at PEER, London
Review: Olga Jevrić at PEER, London
Elizabeth FullertonNovember 1, 2019Sculpture
Review: Deborah Roberts Renders the Complexity of Black Childhood in Collage, Stephen Friedman, London
Review: Deborah Roberts Renders the Complexity of Black Childhood in Collage, Stephen Friedman, London
Elizabeth FullertonOctober 7, 2019Art in America
Interview: Mikhail Karikis – interview: ‘I have never cried during filming until this project’
Interview: Mikhail Karikis – interview: ‘I have never cried during filming until this project’
Elizabeth FullertonOctober 3, 2019Studio International
Review: Francis Upritchard, Barbican Curve, London
Review: Francis Upritchard, Barbican Curve, London
Elizabeth FullertonSeptember 1, 2019Sculpture
Profile: Wu Tsang: Hyper Empathic Energy
Profile: Wu Tsang: Hyper Empathic Energy
Elizabeth FullertonSeptember 1, 2019Elephant
Preview: 'They're our female supervillains!' Artists mash up Ayn Rand and Gwyneth Paltrow
Preview: 'They're our female supervillains!' Artists mash up Ayn Rand and Gwyneth Paltrow
Elizabeth FullertonJuly 2, 2019The Guardian
Review: Claudia Wieser, London Mithraeum, Bloomberg SPACE
Review: Claudia Wieser, London Mithraeum, Bloomberg SPACE
Elizabeth FullertonJuly 1, 2019Sculpture
Profile: Alfredo Jaar: When the Light Goes Dark
Profile: Alfredo Jaar: When the Light Goes Dark
Elizabeth FullertonJune 1, 2019
Review: Derek Jarman, Amanda Wilkinson, London
Review: Derek Jarman, Amanda Wilkinson, London
Elizabeth FullertonJune 1, 2019Art in America
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