Elizabeth Fullerton
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Elizabeth Fullerton
Art writer

Articles

I have been writing professionally for more than 20 years and passionate about art all my life.

My interest in art spans performance, video, painting, sculpture, sound to the undefinable. Issues of sex, gender, race, the colonial legacy and the climate emergency are a particular focus. I write across a wide range of topics for a variety of publications including The Guardian, The New York Times, Art Monthly, ARTnews and many more. Below is a selected archive of my articles with links to the full texts.

Please click on headlines to see the full articles (these will open in a new browser window).

 
Review: ALFRED JAAR :  The Garden of Good and Evil, Yorkshire Sculpture Park
Review: ALFRED JAAR : The Garden of Good and Evil, Yorkshire Sculpture Park
Elizabeth FullertonFebruary 7, 2018The Brooklyn Rail
Review: Rose Wylie: Serpentine, LONDON
Review: Rose Wylie: Serpentine, LONDON
Elizabeth FullertonFebruary 1, 2018Art in America
Review: Zach Blas: Gasworks, LONDON
Review: Zach Blas: Gasworks, LONDON
Elizabeth FullertonJanuary 1, 2018Art in America
Essay: Cinematic Borderlands: Rosalind Nashashibi
Essay: Cinematic Borderlands: Rosalind Nashashibi
Elizabeth FullertonJanuary 1, 2018Art in America
Review: Dalí/Duchamp: Royal Academy of Arts, LONDON
Review: Dalí/Duchamp: Royal Academy of Arts, LONDON
Elizabeth FullertonDecember 13, 2017The Brooklyn Rail
Review: Lucio Fontana: HangarBicocca, MILAN
Review: Lucio Fontana: HangarBicocca, MILAN
Elizabeth FullertonDecember 4, 2017Art in America
Preview: Moments of Being with Virginia Woolf, Tate St Ives
Preview: Moments of Being with Virginia Woolf, Tate St Ives
Elizabeth FullertonDecember 1, 2017
Response Required: Lubaina Himid
Response Required: Lubaina Himid
Elizabeth FullertonDecember 1, 2017Elephant
Profile: With the Same Loving Hand: Kehinde Wiley
Profile: With the Same Loving Hand: Kehinde Wiley
Elizabeth FullertonDecember 1, 2017Elephant
Review: Our Omniattentive Souls, The Store, London
Review: Our Omniattentive Souls, The Store, London
Elizabeth FullertonOctober 6, 2017Elephant
History Marches On (A Table)
History Marches On (A Table)
Elizabeth FullertonSeptember 28, 2017Elephant
Review: Michael Armitage: TurnerContemporary, MARGATE
Review: Michael Armitage: TurnerContemporary, MARGATE
Elizabeth FullertonSeptember 26, 2017Art in America
Review: Stranger in a Strange Land: Rashid Johnson Show Resonates in Rural England, Hauser & Wirth, Somerset
Review: Stranger in a Strange Land: Rashid Johnson Show Resonates in Rural England, Hauser & Wirth, Somerset
Elizabeth FullertonSeptember 8, 2017ArtNews
Feature: T HE MEZZO-MEZZO R E V O L U T I O N: V-A-C
Feature: T HE MEZZO-MEZZO R E V O L U T I O N: V-A-C
Elizabeth FullertonSeptember 1, 2017Elephant
Feature: Factory-Fresh: The Vinyl Factory
Feature: Factory-Fresh: The Vinyl Factory
Elizabeth FullertonSeptember 1, 2017Elephant
Review: Ways of Seeing: Mat Collishaw Shuttles Elegantly Between Past and Future of Photography
Review: Ways of Seeing: Mat Collishaw Shuttles Elegantly Between Past and Future of Photography
Elizabeth FullertonAugust 16, 2017ArtNews
Review: Soul of a Nation: Art in the Age of Black Power, Tate Modern, LONDON
Review: Soul of a Nation: Art in the Age of Black Power, Tate Modern, LONDON
Elizabeth FullertonAugust 14, 2017Art in America
Review: Venice Biennale: A World Divided
Review: Venice Biennale: A World Divided
Elizabeth FullertonJune 9, 2017Elephant
Profile: Marcel Dzama: In the Zone, with a “Z”
Profile: Marcel Dzama: In the Zone, with a “Z”
Elizabeth FullertonJune 1, 2017Elephant
In London, Anne Imhof Talks About Her Kicking, Screaming Venice Biennale Hit ‘Faust’
In London, Anne Imhof Talks About Her Kicking, Screaming Venice Biennale Hit ‘Faust’
Elizabeth FullertonMay 30, 2017ArtNews
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